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Elizabeth Hobbs Keckley (sometimes spelled Keckly;[1] February 1818 – May 1907)[2] was a former slave who became a successful seamstress, civil activist, and author in Washington, DC. She was best known as the personal modiste and confidante of Mary Todd Lincoln, the First Lady. Keckley had moved to Washington in 1860 after buying her freedom and that of her son in St. Louis. She created an independent business in the capital based on clients who were the wives of the government elite. Among them were Varina Davis, wife of Jefferson Davis; and Mary Anna Custis Lee, wife of Robert E. Lee.

After the American Civil War, Keckley wrote and published an autobiography, Behind the Scenes: Or, Thirty Years a Slave and Four Years in the White House (1868). It was both a slave narrative and a portrait of the First Family, especially Mary Todd Lincoln, and is considered controversial for breaking privacy about them. It was also her claim as a businesswoman to be part of the new mixed-race, middle-class that was visible among the leadership of the black community.[citation needed]

Keckley's relationship with Mary Todd Lincoln, the President's wife, was notable for its personal quality and intimacy, as well as its endurance over time.[citation needed]

Contents

Early life[edit]

Elizabeth Keckley was born into slavery in February 1818, in Dinwiddie County Court House, Dinwiddie, Virginia, just south of Petersburg. Her mother Agnes was a house slave, likely of mixed race, owned by planter Armistead and Mary Burwell. "Aggy" had learned to read and write, although this was illegal for slaves. Agnes did not tell her daughter her father's identity until on her deathbed, although Elizabeth's appearance showed that she had considerable white ancestry.[3] Elizabeth's father was Agnes' master Armistead Burwell. He had served as a colonel in the War of 1812.[4]

The nature of the relationship between Agnes and Burwell is unknown. He permitted Agnes to marry George Pleasant Hobbs, a literate slave who lived and worked at a neighbor's home during Elizabeth's early childhood. When Hobbs' owner decided to move far away, the slave had to leave Agnes and Elizabeth. Although they were never reunited, Agnes and George corresponded for many years. As an adult, Elizabeth Keckley noted "the most precious mementoes of my existence are the faded old letters that he wrote, full of love, and always hoping that the future would bring brighter days."[5]

Keckley lived in the Burwell house with her mother and began official duties when she was four years old. The Burwells had four children under the age of 10, and Keckley was assigned to be the nursemaid for their infant Elizabeth Margaret.[6] Forced into responsibility while so young, Keckley was subject to punishment if she failed to care properly for the baby. One day she accidentally tipped the cradle over too far, causing the infant to roll onto the floor, and Mary Burwell beat her severely.[7]

Teenage years[edit]

At the age of 14, in 1832, Keckley was sent to live "on generous loan" to the eldest Burwell son Robert in Chesterfield County, Virginia, near Petersburg, when he married Margaret Anna Robertson. (He was Elizabeth's half-brother, although such relationships were seldom acknowledged.)[8] The new bride expressed contempt for Elizabeth, perhaps because her obvious white ancestry made the older woman uneasy; perhaps Elizabeth resembled Robert. Margaret made home life unpleasant for the young slave for the next four years. The family moved to Hillsborough, North Carolina, where Robert was a minister and operated the Burwell School for girls from his house, from 1837 to 1857. Keckley mentioned that Margaret seemed "desirous to wreak vengeance" upon her.[9] Keckley wrote letters to her mother during her time there.

Margaret enlisted neighbor William J. Bingham to help subdue the slave girl's "stubborn pride". When Keckley was 18, Bingham called her to his quarters and ordered her to undress so that he could beat her. Keckley refused, saying she was fully grown, and "you shall not whip me unless you prove the stronger. Nobody has a right to whip me but my own master, and nobody shall do so if I can prevent it."[10] Bingham bound her hands and beat her, then sent her back to her master with bleeding welts on her back. The next week, Bingham flogged her again until he was exhausted. Again Elizabeth was sent back to her master with bleeding welts upon her back. A week later, Bingham flogged her again until he was exhausted, while she suppressed her tears and cries. The next week, after yet another attempt to "break her", Bingham had a change of heart, "burst[ing] into tears, and declar[ing] that it would be a sin" to beat her anymore.[11] He asked for her forgiveness and said that he would not beat her again. Keckley claims that he kept his word.[12]

Also in Hillsborough, Alexander M. Kirkland, a prominent white man of the community, forced a sexual relationship on Elizabeth for four years of what she called "suffering and deep mortification".[13] In 1839, she bore Kirkland's son and named him George after her stepfather.[14] Afterward Elizabeth was returned to Virginia, where she served another member of the family, daughter Ann Burwell Garland and Garland's husband. She was half-sister to Ann of course.

Road to freedom[edit]

When the Garland family had financial difficulties, they sold some slave children and "hired out" others, collecting the fees of their wages. Keckley and her mother remained with their mistress Ann Garland and her husband. Keckley's sewing helped support the family.

After many moves, the Garlands moved to St. Louis, Missouri, in 1847, taking Aggy and Elizabeth with them to tend the children and do all the family sewing. Nearly 12 years of living and working in St. Louis gave Keckley the chance to mingle with its large free black population. She also established connections with women in the white community, which she later drew on as a free dressmaker.[15]

Keckley met her future husband James in St. Louis, but refused to marry him until she and her son were free. When she asked Hugh A. Garland to free them and he refused, she worked for two years to persuade him, agreeing to purchase her freedom. In 1852, he agreed to release them for ,200.[16]

Keckley considered going to New York to try to "appeal to the benevolence of the people."[17] According to her, her patroness, Elizabeth (Lizzie) Le Bourgeois, said, "It would be a shame to allow you to go North to beg for what we should give you."[18] With her patrons' help, she collected the money to buy her and her son's freedom and was manumitted in November 1855.[19] She stayed in St. Louis until she had earned enough to repay her patrons, as she had promised.

Keckley worked hard in her business as well as personal life, and she enrolled her son in the newly established Wilberforce University in Ohio. She also planned to leave St. Louis and James Keckley.[20]

In early 1860, she and her son moved to Baltimore, Maryland. She intended to run classes for young "colored women" to teach her system of cutting and fitting dresses. But after six weeks she had hardly enough money to get to Washington, D.C., which she thought might offer better chances for work.[21] At the time, Maryland was passing many repressive laws against free blacks.[citation needed]

Move to the capital[edit]

In mid-1860, Keckley intended to work as a seamstress in Washington, but lacked the money to pay for the required license as a free black to remain in the city for more than 30 days. She appealed to her patrons, and a Ms. Ringold used her connection to Mayor James G. Berret to petition for a license for Keckley. Berret granted it to her free of charge.[22]

Keckley worked to establish clients and gain enough work to support herself. Commissions for dresses were steadily coming in, but a dress that she completed for Mrs. Robert E. Lee sparked the business's rapid growth. Keckley eventually became Varnia Davis's favored family seamstress.[23] Keckley found most of her work with society women by word-of-mouth recommendations.

Margaret McLean of Maryland, introduced by Varina Davis, requested a dress from Keckley and said she needed it urgently. Keckley declined, as she had heavy order commitments. Mrs. McLean offered to introduce Keckley to "the people in the White House", the newly elected president Abraham Lincoln, and his wife.[24] Keckley finished the dress for McLean, who arranged a meeting the following week for her with Mrs. Lincoln.

The White House years[edit]

Elizabeth Keckley met Mary Todd Lincoln on March 4, 1861, the day of Abraham Lincoln's first inauguration. As she was preparing for the day's events, Mrs. Lincoln asked Keckley to return the next day for an interview. When she arrived, Keckley found other women there to be interviewed as well, but Mrs. Lincoln chose her as her personal modiste.

In addition to dressmaking, Keckley assisted Mrs. Lincoln each day as her personal dresser. She also helped Mrs. Lincoln prepare for official receptions and other social events. For the next six years, Keckley became an intimate witness to the private life of the First Family. Known for her love of fashion, the First Lady kept Keckley busy maintaining and creating new pieces for her extensive wardrobe.

During the Lincoln administration (and many years afterward), Keckley was the sole designer and creator of Mary Todd Lincoln's event wardrobe. In January 1862, Mrs. Lincoln went for photos to Brady's Washington Photography Studio, where she had images taken while wearing two of Keckley's gowns. For several years to come, she wore Keckley's dresses to many official events and had more portraits taken while wearing Keckley's work.[citation needed]

Contraband Relief Association[edit]

Keckley founded the Contraband Relief Association (CRA) in August 1862, receiving donations from both Lincolns, as well as other white patrons and well-to-do free blacks.[25] The organization changed its name in July 1864 to the Ladies' Freedmen and Soldier's Relief Association, to "reflect its expanded mission" after blacks started serving in the United States Colored Troops.[26] The CRA provided food, shelter, clothing, and emotional support to recently freed slaves and/or sick and wounded soldiers. The organization was based in Washington, D.C., but the funds distributed and the services provided helped families in the larger region.

The Contraband Relief Association became lost to history, but it set the standards and showed the need for relief organizations to provide aid to the poor and displaced black community. The work of the Contraband Relief Association within the black community helped create black autonomy. Through intra-ethnic networking, the Association created an organization by and for African Americans.[27]

Keckley wrote about the contrabands in Washington, D.C. in her autobiography. She said that ex-slaves were not going to find "flowery paths, days of perpetual sunshine, and bowers hanging with golden fruit" in Washington D.C., but that" the road was rugged and full of thorns."[28] She saw that "[their] appeal for help too often was answered by cold neglect."[28] One summer evening, Keckley witnessed "a festival given for the benefit of the sick and wounded soldiers in the city," which whites organized.[29] She thought the free blacks could do something similar to benefit the poor and suggested to her colored friends "a society of colored people be formed to labor for the benefit of the unfortunate freedmen."[29]

The CRA used the independent black churches for meetings and events, such as the Twelfth Baptist Church, Fifteenth Street Presbyterian Church, Israel African Methodist Episcopal Church, and Siloam Presbyterian Church.[30] The organization held fundraisers, with concerts, speeches, dramatic readings, and festivals.[31] Prominent black figures who spoke on behalf of the organization included Frederick Douglass, Henry Highland Garnet, J. Sella Martin, as well as prominent white figures such as Wendell Phillips.

The CRA's receipts were "8.68 the first year and ,228.43 the second year. 5,150 articles of clothing had been received during that time."[32] The CRA affirmed in its first annual report that "every effort made by us to obtain funds to alleviate in any way the distresses of our afflicted brethren has been crowned with success."[32] Out of the 8.68, approximately 0 was given by and raised by black run and/or predominately black organizations such as the Freedmen's Relief Association of District of Columbia, Fugitive Aid Society of Boston, Waiters of Metropolitan Hotel, and the Young Misses of Baltimore.[33]

The CRA distributed clothes, food, and shelter among the freedmen and sent funds to many. Jean Fagan Yellin notes that the CRA sent to the sick and wounded soldiers at Alexandria, Virginia.[34] The CRA hosted Christmas dinners for sick and wounded soldiers.[35] It distributed food to other organizations.[36] The organization helped to place African-American teachers in the newly built schools for blacks.[37] The entire community had recognized, valued, and thanked "the officers and the members of the Association for their kindness and attentive duties to the sick and wounded;" but it was overlooked in later histories.[38]

Commonality through tragedy[edit]

When Keckley began working at the White House, the Lincolns had two young children, William and Tad. She sometimes was given domestic duties such as looking after the children, such as during periods of sickness. Keckley was a source of strength and comfort for the Lincolns after Willie died.

Keckley's own son, George Kirkland, who was more than three-quarters white, enlisted as a white in the Union Army in 1861 after the war broke out. He was killed in action on August 10, 1861. After difficulties in establishing her son's racial identity, Keckley gained a pension as his survivor; it was monthly (later raised to ) for the remainder of her life.[39]

Keckley also comforted the First Lady after the President Lincoln's assassination. Mrs. Lincoln became secluded, allowing only a few into her quarters. Finding Lincoln in a critically delicate state, Keckley stood by her to give comfort.

Mrs. Lincoln gave away many of her husband's personal items to people close to her, including Keckley. Keckley acquired Mary Lincoln's blood-spattered cloak and bonnet from the night of the assassination, as well as some of the President's personal grooming items.

Mrs. Lincoln insisted that Keckley accompany her to Chicago to assist her in her new life and myriad affairs. Roughly one month after the assassination, Keckley boarded a train with Mrs. Lincoln and the family en route to Chicago. She spent about three weeks with Mrs. Lincoln, as she needed to return to the capital to take care of her business. Mary Lincoln grew more dependent upon Keckley, writing her frequently, asking for visits, and lamenting her new conditions. This period was critical to their later friendship.

Behind The Scenes[edit]

In 1867 Mrs. Lincoln, who was deeply in debt because of extravagant spending, wrote to Keckley, asking for help in disposing of articles of value, including old clothes, by accompanying her to New York to find a broker to handle the sales. In late September, they arrived in New York, where Mrs. Lincoln used an alias for the duration of her visit. Keckley attempted to help by giving interviews to newspapers sympathetic to Mrs. Lincoln's plight and wrote letters to friends like Frederick Douglass and Henry Highland Garnet, a highly respected minister in the black church community. The fund raising effort became publicly known, and Mrs. Lincoln was severely criticized for selling clothes and other items associated with her husband's presidency.

Elizabeth Keckley donated her Lincoln memorabilia to Wilberforce College for its sale in fundraising to rebuild after a fire in 1865. Mrs. Lincoln was angry about her action, and Keckley changed her original intention to have the articles publicly displayed for fees in Europe. The publicity and criticism of Mrs. Lincoln strained their relationship, but they remained in contact, although not so close.

In 1868, Elizabeth Keckley published Behind the Scenes, to "attempt to place Mrs. Lincoln in a better light before the world" and to "explain the motives" that guided Mrs. Lincoln's decisions regarding what became known as the "old clothes scandal".[40] She gained the help of James Redpath, an editor from New York and friend of Frederick Douglass, to help her edit and publish her book.

Keckley described her own rise from slavery to life as a middle-class businesswoman who employed staff to help complete her projects. She was claiming a part in the educated, mixed-race middle class of the black community. She emphasized her ability to overcome difficulties and the development of her business sense. While acknowledging the brutalities under slavery and the sexual abuse that led to the birth of her son George, she spent little time on those events. This was in contrast to other women's slave narratives, in which they revealed white men taking sexual advantage of them. Essentially she "veiled" her own past but, using alternating chapters, contrasted her life with that of Mary Todd Lincoln and "unveiled" the former First Lady, as she noted her debts.[41]

Keckley wrote about the Lincolns, in a style of near hagiography for him, but with a cool, analytical eye for Mary Lincoln. Advertisements labeled the forthcoming book as a "literary thunderbolt" and the publisher, Carleton & Company, joined in by declaring it as a "great sensational disclosure".[42] The editor included letters from Mary Lincoln to Keckley in the book, and the seamstress was strongly criticized for violating Mrs. Lincoln's privacy.[41]

At a time when the white middle class struggled over "genteel performance", Keckley unveiled a white woman by the very title of her book, showing what went on behind the public scenes and revealing "private, domestic information involving, primarily, white women."[41] The Lincolns had been subject to criticism as westerners early in his presidency, and Mary Todd Lincoln's anxiety about their position led to her trying to dress right and conduct the White House well. Critics such as Carolyn Sorisio have identified Keckley's unveiling of Lincoln as the reason that the book generated such a backlash. A reviewer from the Cleveland Daily Plain Dealer declared that they were pleased that Keckley's book was published, as it would serve as a warning "to those ladies whose husbands may be elevated to the position of the President of the United States not to put on airs and attempt to appear what their education, their habits of life and social position, and even personal appearance would not warrant."[41] By writing about Lincoln, Keckley transgressed the law of tact. Her relationship with Lincoln was ambiguous, as it drew both from her work as an employee and from the friendship they developed, which did not meet the rules of gentility. People felt as if Keckley, an African American and former slave, had transgressed the boundaries that the middle class tried to maintain between public and private life.[41]

Jennifer Fleischner writes of the reaction to Keckley's book,

Lizzy's intentions, like the spelling of her name, would thereafter be lost in history. At the age of fifty, she had violated Victorian codes not only of friendship and privacy, but of race, gender, and class. Not surprisingly, the newspapers that attacked Mary Lincoln in the fall, in the spring now leapt to her defense.... The social threat represented by this black woman's agency also provoked other readers, and someone produced an ugly and viciously racist parody called Behind the Seams; by a Nigger Woman who Took Work in from Mrs. Lincoln and Mrs. Davis and Signed with an "X," the Mark of "Betsey Kickley (Nigger), "denoting its supposed author's illiteracy."[43]

Stunned and dismayed by the negative publicity, Keckley wrote letters to newspaper editors and defended her serious intentions, which was part of the model of gentility. The uproar over the book subsided, but it did not sell well. The writer Jennifer Fleischner has suggested that Mrs. Lincoln's son Robert, who was perpetually embarrassed by his mother's behavior in private life (and would have her committed to an asylum in 1875), did not want the public to know such intimate details as appeared in the memoir.[44] He may have been involved in suppressing the sale and distribution of the memoir.

Aftermath[edit]

Mrs. Lincoln felt betrayed and extremely disturbed by the work's public disclosure of private conversations and letters that were written to Keckley. Keckley explained that she too had been betrayed; James Redpath violated her trust by printing the letters he asked her to "lend" him, as he promised not to disclose them and had not gained her consent for publication. The now-destitute former First Lady permanently severed contact with Keckley.

Elizabeth Keckley continued to attempt to earn money by sewing and teaching young women her techniques, and much of her white clientele stopped calling. Eventually, she was in great need of money. In 1890, when she was 72, she made a drastic decision: to sell the Lincoln articles, which she had kept for 35 years. She sold 26 articles for 0, but it is unknown how much she received from the transactions.

In the years following, she moved frequently, but in 1892, she was offered a faculty position at Wilberforce University as head of the Department of Sewing and Domestic Science Arts and moved to Ohio. Within a year, she organized a dress exhibit at the Chicago World's Fair. By the late 1890s, she returned to Washington, where she lived in the National Home for Destitute Colored Women and Children (an institution established in part by funds contributed by the Contraband Association that she founded), presumably for health reasons.

Later years[edit]

In her later years, Keckley led a quiet and secluded life. She suffered from headaches and crying spells, much as had her estranged friend Mary Lincoln.[citation needed] She had the First Lady's photograph hung on the wall of her room and told friends that Mrs. Lincoln had contacted her, and they became reconciled some time after her book's publication.[citation needed]

Death and interment[edit]

In May 1907, Mrs. Keckley died as a resident of the National Home, located on Euclid St. NW, in Washington, D.C. She was interred at Columbian Harmony Cemetery. In 1960, her remains were transferred to National Harmony Memorial Park in Landover, Maryland, when Columbian Harmony closed and the land was sold.[45]

A historic plaque installed across the street from the site of the former home commemorates her life. Jennifer Fleischer wrote:

Perhaps the most poignant illustration of the different fates of these two women is found in their final resting places. While Mary Lincoln lies buried in Springfield in a vault with her husband and sons, Elizabeth Keckley's remains have disappeared. In the 1960s, a developer paved over the Harmony Cemetery in Washington where Lizzy was buried, and when the graves were moved to a new cemetery, her unclaimed remains were placed in an unmarked grave—like those of her mother, slave father, and son.[46]

Legacy and honors[edit]

  • The dress that Keckley designed for Mary Todd Lincoln to wear at her husband's second inauguration ceremony and reception is held by the Smithsonian's American History Museum.[47]
  • Keckley designed a quilt made from scraps of materials left over from dresses she made for Mrs. Lincoln. It is held by the Kent State University Museum and is shown in the book, The Threads of Time, The Fabric of History (2007), by Rosemary E. Reed Miller, which features Keckley among numerous African-American designers.[48]
  • The former school in Hillsborough, North Carolina, where Keckley worked for Rev. Robert Burwell, is now owned and operated as a house museum, the Burwell School Historic Site, by the Historic Hillsborough Commission. Its website discusses Keckley's life and times.

Representations in culture[edit]

Films[edit]

Literature[edit]

  • Tim Jorgenson's novel, Mrs. Keckley Sends Her Regards (2007), portrays Keckley's intimate friendship with both of the Lincolns.[citation needed][50]
  • Jennifer Chiaverini’s novel, Mrs. Lincoln’s Dressmaker (2013), focuses on Mrs. Keckley's friendship with Mrs. Lincoln.[51]
  • George Saunders' novel, Lincoln In The Bardo (2016), quotes several passages from Mrs. Keckley's autobiography.

Plays[edit]

  • Tazewell Thompson's play, Mary T. & Lizzy K., opened in March 2013 at the Mead Center for American Theater in Washington, D.C.[51]
  • Paula Vogel’s A Civil War Christmas, which opened at the New York Theater Workshop in December 2012, included Keckley as a central character.[52]

Posthumous notes[edit]

Keckley's autobiography prompted controversy and questions about the veracity of her portrayals. In 1935, the journalist David Rankin Barbee wrote that Keckley had neither written her autobiography nor even existed as a person; he asserted the abolitionist writer Jane Swisshelm wrote the slave narrative to advance her abolitionist cause. Many people who read the article challenged his claim, citing personal and/or secondary acquaintance with Keckley. Barbee modified his statement, saying: "no such person as Elizabeth Keckley wrote the celebrated Lincoln book."[46] Keckley's life and achievements have been well-documented since then.[citation needed]

On May 26, 2010, 103 years after her death, a marker was placed at Keckley's grave in National Harmony Memorial Park. A two-year search for the location of her remains then required donations of ,000 to place a marker, since Keckley had no living relatives. Funds were contributed by "National Harmony Memorial Park; The Surratt Society; Black Women United For Action, a Virginia-based organization that works to improve the lives of women; The Lincoln Forum, a national organization that works to learn about and preserve the memory of Abraham Lincoln and the Civil War; and the Ford's Theatre Society."[53]

See also[edit]

  1. ^ Fleischner (2003), p. 7. Mrs. Keckl(e)y's husband was a slave; we do not know whether he was literate or from what family he acquired his name. The spelling of his name remains in question.
  2. ^ Fleischner (2003), pp. 29, 323.
  3. ^ Fleischner (2003), p. 88.
  4. ^ Fleischner (2003), p. 29.
  5. ^ Keckley, Elizabeth (1868). Behind the Scenes, or Thirty Years a Slave, and Four Years in the White House. New York: G. W. Carleton & Co. p. 25.
  6. ^ Fleischner (2003), p. 38.
  7. ^ Keckley (1868). Behind the Scenes. p. 20.
  8. ^ Fleischner (2003), p. 66.
  9. ^ Keckley & Andrews (2005), p. 13.
  10. ^ Keckley & Andrews (2005), p. 14.
  11. ^ Keckley & Andrews (2005), p. 15.
  12. ^ Fleischner (2003), p. 81.
  13. ^ Keckley & Andrews (2005), p. 16.
  14. ^ Fleischner (2003), p. 87.
  15. ^ Fleischner (2003), p. 131.
  16. ^ Fleischner (2003), p. 142.
  17. ^ Fleischner (2003), p. 145.
  18. ^ Keckley & Andrews (2005), p. 23.
  19. ^ Keckley & Andrews (2005), p. 24.
  20. ^ Fleischner (2003), p. 186.
  21. ^ Keckley & Andrews (2005), p. 28.
  22. ^ Fleischner (2003), p. 183.
  23. ^ Roberts, Cokie (2015). Capital Dames. HarperCollins Publishers. p. 90. ISBN 978-0-06-200276-1.
  24. ^ Fleischner (2003), p. 200.
  25. ^ Gates, Henry Louis, Jr.; Evelyn Brooks Higginbotham, eds. (2004). African American Lives. New York: Oxford University Press. pp. 493–494.CS1 maint: Multiple names: editors list (link)
  26. ^ Forbes, Ella (1998). African American Women during the Civil War. New York: Garland Publishing Inc. p. 68.
  27. ^ Gates & Higginbotham, eds. (2004). African American Lives. pp. 493–94.CS1 maint: Uses editors parameter (link)
  28. ^ a b Keckley (1989), p. 112.
  29. ^ a b Keckley (1989), p. 113.
  30. ^ Ripley, C. Peter (1992). The Black Abolitionist Papers: The United States, 1859-1865. Chapel Hill: University of North Carolina Press. p. 251.
  31. ^ Frost, Elizabeth & Cullen-DuPont, Kathryn (2005). Women's Suffrage in America: An Eyewitness History. New York: Facts on File. p. 147.CS1 maint: Uses authors parameter (link)
  32. ^ a b Eggleston, G. K. (1929). "The work of relief societies during the Civil War". The Journal of Negro History. 14 (3): 272–299. JSTOR 2713854.
  33. ^ "Anniversary of the Association For the Relief of Contrabands in the District of Columbia," The Christian Recorder [Philadelphia], August 22, 1863.
  34. ^ Yellin, Jean Fagan (2004), Harriet Jacobs: A Life, New York: Basic Civitas, p. 320.
  35. ^ H.M.T., "Washington Correspondence," The Christian Recorder [Philadelphia], January 3, 1863.
  36. ^ "Letter From Washington," The Anglo African [New York], January 24, 1863.
  37. ^ "Letter From James Lynch," The Christian Recorder [Philadelphia], February 27, 1864.
  38. ^ Powell, Wm. P., Jr. (August 6, 1864). "Association for The Relief of Colored Soldiers". The Anglo African. New York.CS1 maint: Multiple names: authors list (link)
  39. ^ "American National Biography Online: Keckley, Elizabeth Hobbs". www.anb.org. Retrieved May 30, 2017.
  40. ^ Keckley & Andrews (2005), p. 5.
  41. ^ a b c d e Carolyn Sorisio, "Unmasking the Genteel Performer: Elizabeth Keckley's Behind the Scenes and the Politics of Public Wrath - Critical Essay", FindArticles / Reference / African American Review / Spring 2000. Retrieved July 2, 2012.
  42. ^ Fleischner (2003), p. 316.
  43. ^ Fleischner (2003), p. 317.
  44. ^ Fleischner (2003), p. 321.
  45. ^ Skalski, Liz (June 3, 2010). "A Hole in the Historical Fabric, Stitched Back Together". The Washington Post. p. T18.
  46. ^ a b Fleischner (2003), p. 325.
  47. ^ "Mary Todd Lincoln’s Gown, 1861–65", Treasures of American History, National Museum of American History. Retrieved February 14, 2013.
  48. ^ Miller, Rosemary E. Reed, The Threads of Time, The Fabric of History (2007).
  49. ^ "Spielberg's 'Lincoln' Casts Every Other Good Actor Under The Sun". Retrieved November 25, 2011.
  50. ^ Tim., Jorgenson, (2007). Mrs Keckly sends her regards : the last days of Abraham Lincoln. [Fairfax, Va.]: Xulon Press. ISBN 9781602667884. OCLC 213466937.
  51. ^ a b Gage, Joan Paulson (February 7, 2013). "Mrs. Keckley Has Met With Great Success". The New York Times, Opinionator Blog.
  52. ^ Isherwood, Christopher (December 4, 2012), "Lincolns in Wartime Hope for a Midnight Clear", The New York Times. Retrieved February 14, 2013.
  53. ^ Skalski, Liz (June 3, 2010). "Lincoln seamstress Elizabeth Keckly given Largo grave marker". The Washington Post. Retrieved March 17, 2013.

References[edit]

  • Keckley, Elizabeth (2005). William L. Andrews, ed. Behind the Scenes: Thirty Years a Slave, and Four Years in the White House. Penguin Books. p. 168. ISBN 978-0-14-303924-2.; First French edition: De l'esclavage à la Maison Blanche - Souvenirs d'Elizabeth Keckley, translated by Cosima de Boissoudy, VOIX-OFF, 2014, ISBN 979-10-93673-00-4.
  • Fleischner, Jennifer (2003). Mrs. Lincoln and Mrs. Keckly: The Remarkable Story of the Friendship between a First Lady and a Former Slave. Broadway Books. pp. 400 pages. ISBN 0-7679-0259-9.
  • Keckley, Elizabeth (1989). Behind the Scenes: Thirty Years a Slave, and Four Years in the White House. New York: Oxford University Press. ISBN 978-0-19-506084-3.
  • Miller, Rosemary E.; Reed (2007). The Threads of Time, the Fabric of History 38 Profiles of Afro-American Designers from 1850 to the Present. T & S Press. ISBN 0-9709713-0-3.
  • Turner, Justin G.; Levitt, Linda (1972). Mary Todd Lincoln: Her Life and Letters. New York: Alfred A. Knopf. ISBN 0-394-46643-8.

External links[edit]

  • Works by Elizabeth Keckley at Project Gutenberg
  • Works by or about Elizabeth Keckley at Internet Archive
  • Works by Elizabeth Keckley at LibriVox (public domain audiobooks)
  • Elizabeth Keckley, Behind the Scenes, or, Thirty years a Slave, and Four Years in the White House New York: G. W. Carleton & Co., Publishers, 1868; on-line text at Documenting the American South, University of North Carolina.
  • Behind the Scenes
  • Teaching American History in Maryland - Documents for the Classroom - Maryland State Archives
  • Burwell School Historic Site
  • NPR show discussing Mrs. Keckley
  • Elizabeth Hobbes Keckley (Keckley), from the Burwell School Historic Site
  • Elizabeth Keckley biography, from Woman in History, Lakewood Public Library
  • U.S. News & World Report, July 2-July 9, 2007
  • "Elizabeth Keckley: African American Modiste to Mrs. Lincoln"[permanent dead link], History of Quilts
  • Elizabeth Keckly Historical Marker Proposal, Open Library
  • Elizabeth Keckley (video)



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